Best music promotion companies
There are many music promotion companies out there. That's why you should read the 46 most reliable music promotion services.
Let's be real.. It’s easy for artists to get caught up in services without knowing what actually works for them.
That's why we're reviewing 46 of the most notable services.
We dug into their playlist networks, ad strategies, pricing models, and transparency.
My goal is NOT to push one company over another.
We all have our advantages and disadvantages (even us, not every artist is a good fit).
I’m hoping to give artists a clearer picture of what each does best.
That way you can match the right service to your goals.
Boost Collective ranks highly for offering both playlisting and scalable ad campaigns- making us a strong choice for artists who want a mix of reach and flexibility.
But for others, a niche curator, PR-driven approach, or social media-heavy campaign may deliver better results.
The point is to choose based on fit, not hype.
Which music promotion company is best for you?
Here’s the complete breakdown of 46 great music promotion services:
The Top 46 music promotion companies
- Boost Collective
- Members Media
- Two Story Media
- Playlist Push
- Omari MC
- SoundCampaign
- YouGrow Promo
- Music Growth Machine
- Groover
- Music Promo Today
- De Novo Agency
- SubmitHub
- Indie Music Academy
- Rapville
- Burstimo
- Brandman Network
- Music Gateway
- Pitch Playlists
- Planetary Group
- SpaceLoud
- Playlist IQ
- Moonstrive
- Daimoon Media
- Musicvertising
- OneSubmit
- MusoSoup
- SpinPromo
- Playlist-Promotion
- SubmitLink
- Track To The Max
- Playlist Supply
- Starlight PR
- Grease Release
- Indiemono
- ReverbNation
- For The Love Of Bands
- Cyber PR
- Daily Playlists
- Soundplate
- Behind The Curtains Media
- Q Music Promotion
- Show.co
- SongRocket
- Matchfy
- Top Music Marketing Agency
- Rising Artists
#1. BOOST COLLECTIVE
Boost Collective the industry leader in playlisting, marketing, and distribution into one streamlined platform.
We're built for independent artists, removing the guesswork from growth.
By offering curated playlist placements, ad‑driven campaigns, and tools to track results in real time (along with our large team) we have the structure to give artists serious growth.
We are committed to transparency and artist-first campaigns.
Boost Collective centralizes services that are often scattered across multiple vendors, to deliver a cohesive growth ecosystem.
If you've seen our ads - you'll know why our campaigns crush.
Here are features we've added to make promotion easier:
Live support: that connects artists directly with a real team member, ensuring campaigns get quick answers and adjustments.
Real‑time campaign optimization: allowing changes on the fly to maximize results while a release is still trending.
Personal dashboard: where artists can track placements, ad performance, and audience engagement in one place.
Ad expertise: that drives music into algorithm‑friendly growth channels like Release Radar and Discover Weekly.
Compliant promotion: following Spotify and DPS's terms and polices to ensure 100% guarantee of no penalty or sketchy results.
In‑house playlist curation: that ensures every placement is strategic and tailored to the track’s style.
Campaign flexibility: we've worked with over 150,000 artists from Indies to names you see on TV.
That said, no single service fits every artist.
If you’re looking for something different (genre‑specific curators, PR‑heavy campaigns, purely social‑media approach...)
Keep reading to explore the other top companies. They rock!
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#2. MEMBERS MEDIA
Members Media is a top choice for organic music promo. They used to be called Partner Projects but rebranded to Members Media, led by Dayton, the founder.
We know their team, their management, and they do solid work.
Dayton has built a strong team of marketing experts..
Members Media allows not only artists but also agencies and labels to use their services, which is cool.
Most promotion companies are artist-focused, Members Media offers a range of services.
What’s unique about Members Media is their bundle that’s focused on growing monthly listeners, not just streams:
Instead of one person hearing one song, they aim for one person to hear multiple songs, which increases streams per listener—great for the algorithm.
Similar to Boost Collective’s ongoing promotion, it’s important to keep the marketing going for your track.
That’s Members Media for ya!
#3. TWO STORY MEDIA
Two Story Media is run by the same people behind Two Story Melody, and while it's not a playlisting service, it's one of the best if you're looking to level up your skills and get more hands-on guidance.
They combine education, mentorship and real campaign management.
That's what makes it great for DIY artists.
It's tailored for those who want to learn the "why" behind what they're doing.
Their offer includes 1-on-1 Meta ad training, campaign strategy, and ongoing consultation.
They also have case studies on their website that show exactly what’s being spent and where it’s going—which is rare in this space.
Boost Collective believes in sharing results with our done-for-you promotion.
Two Story Media does not work with as many artists as bigger firms, but that’s the point.
They’re selective, hands-on, and transparent, making them ideal for those who value clarity and want real growth.
You can expect more than just surface-level exposure here!
#4. PLAYLIST PUSH
Playlist Push focuses on Spotify and TikTok promotion. They connect you to external playlist curators. Since they work externally, they support a much larger network—over 4,000 verified playlists.
No matter your music style, there’s probably a playlist for it.
On TikTok, they work with over 3,000 creators, helping you match your song with the right persona.
That’s powerful.
It’s a different promotion style than Boost Collective, which runs everything in house for real-time optimization.
Playlist Push has a solid dashboard and is one of the bigger platforms out there.
Bonus: they use AI to match your music with the right users, which is a great feature that not many others offer.
#5. OMARI MC
Omari MC is known as a no-nonsense marketing service. Omari, the founder, started as a producer and learned promotion through experience. They've helped over 20,000 musicians.
This service appeals to artists who want basic, proven tactics without the fluff.
The founder’s background as a producer adds credibility since he knows the grind from both sides.
The website’s a bit outdated, but it’s been around a long time.
They offer Apple Music promotion—something Boost Collective has also integrated.
Omari MC covers a wide range of services, plus tools for producers.
That’s the Omari method.
Boost Collective, on the other hand, builds on that same foundation but with modern infrastructure: real-time dashboards, automations, and artist tool integrations.
While Omari keeps it simple, Boost scales it up.
Both are built by artists, a large recommendation from us.
Shout out Omari MC!
#6. SOUNDCAMPAIGN
SoundCampaign is an Israeli music promotion platform where artists submit music, and curators review it. They have access to over 10,000 playlists, which is HUGE.
They also offer TikTok promotion.
Definitely a strong option.
SoundCampaign stands out with sheer scale:
It’s a solid, straightforward option for artists who want access to a wide network without needing to manage relationships directly.
Boost Collective, on the other hand, takes the intermediary out of the equation, especially with Direct-To-Song.
While SoundCampaign connects you to curators, Boost Collective curates and executes the campaigns in-house.
SoundCampaign is massive, and there is a real push with a network that large.
We got nothing but love for SoundCamps!
#7. YOUGROW PROMO
YouGrow Promo is a Dutch music promotion company that helps artists with TikTok, Instagram, YouTube, and Spotify growth. One unique touch—they plant a tree with every campaign purchase.
They’ve got an app where you can manage your campaign from your phone, similar to Boost’s dashboard.
It’s mobile-friendly and smooooth.
YouGrow is great for structure and sustainability.
Boost levels up with acceleration and strategic reach, and YouGrow is for consistent steady growth.
YouGrow has a solid team and offers playlist placements, TikTok, and even guaranteed delivery on Instagram Reels.
Their guarantee means this:
Campaigns will run until a set threshold is hit.
If you like that kind of structure, YouGrow’s a great choice!
#8. MUSIC GROWTH MACHINE
Music Growth Machine (MGM) is a music marketing agency and education brand founded by Andrew Southworth (via Genera Studios) that specializes in meta conversion ad campaigns.
Southworth also provides consulting and training to help independent artists build audiences and drive streaming growth.
Their platform is mainly through paid ads and strategic execution.
MGM runs optimized conversion campaigns that send high-intent listeners directly to your Spotify tracks or playlists.
While MGM equips artists with the skills to manage their own growth, services like Boost Collective combine these tactics with done-for-you execution.
It comes down to your needs.
Their Spotify Playlist Promotion Services (via YouGrow Promo) leverages a playlist network to deliver targeted streams.
They also offer educational resources in their Spotify Growth Machine online courses.
Andrew Southworth is a great guy. I recommend his YouTube channel.
#9. GROOVER
Groover is a French company with serious funding and a big presence in Europe. They run on an external curator model, sort of like SubmitHub or Playlist Push.
Since they have over 3,000 curators across many genres, there’s a lot of variety. Groover earns its spot on the list.
Groover doesn’t guarantee placements because curators decide whether to accept your song.
Boost Collective, by contrast, skips the roulette.
Groover opens the door, Boost builds the entire stage (curated placements, ad power, and direct promotion) all in-house.
We think Groover’s edge is for reaching REAL curators is through their transparency.
Placements aren’t guaranteed since everything depends on the curator's discretion.
That makes it a solid option for artists who want organic reach and feedback without the smoke and mirrors.
A completely legit platform we vouch for.
#10. MUSICPROMOTODAY
MusicPromoToday is heavily PR-focused, with over 15 years in the game. Their core offering is bespoke public relations campaigns, not instant Spotify or playlist promotion.
They do excel in branding (so they make the list) but their strength is in crafting custom media strategies for artist exposure.
While they offer some ad support and branding services, their focus isn’t on Spotify traction.
Boost Collective complements MPT's PR by focusing on the front-end momentum.
MPT builds your image in the press.
It’s legacy-building through public relations and industry visibility.
This is a premium, white-glove PR firm built more for long-term brand growth than quick playlists.
They've run some solid campaigns!
#11. DE NOVO AGENCY
De Novo Agency stands out for music marketing because one of the founders is a lawyer, adding a layer of legal protection and professionalism in ads and playlisting.
Their focus is on ads and playlisting, similar to Boost, but their boutique size allows for deep, personalized involvement in each campaign.
They’re positioned as a premium service, with higher pricing but a reliable refund policy that shows confidence in their work.
While they’re a smaller company, that allows them to fully invest in individual campaigns.
Boost Collective offers that same high-quality execution but with greater infrastructure, automation, and scale.
You select which agency based on where you are as an artist:
De Novo is the careful, calculated rollout.
Their services are on the pricier side, but they offer a solid refund policy and cater more to niche, serious artists.
Definitely a premium option!
Highly worth considering if you want a tailored, safe campaign.
#12. SUBMITHUB
SubmitHub is one of the biggest music submission platforms out there. It lets artists submit their songs directly to playlist curators, bloggers, influencers, and YouTubers.
With over 1,800 playlist connections and a massive database of curators, it’s a decent place to start if you’re a newer artist looking for exposure.
Just don’t expect a fully hands-on campaign or creative strategy.
They’re not building content or running ads.
It’s a hit-or-miss curation platform but you can get lucky if you match the right taste!
Where SubmitHub offers access, Boost Collective delivers impact (like Conley & AUGY)
Boost doesn’t just hand your music to curators—it builds a complete system around it.
SubmitHub is a solid entry point for new artists looking to get their music in front of fresh ears WITHOUT much upfront investment.
SubmitHub is a foot in the door.
If you’re just starting out, SubmitHub is a great way to test the waters.
When you're ready to scale hard and grow fast, Boost Collective is ready to make it grow.
#13. INDIE MUSIC ACADEMY
Indie Music Academy stands out by offering not just promotion but education for DIY artists. Their founder Ryan has helped indie artists with marketing and promotion.
They use SEO-grown playlists.
Now, SEO playlists can be broader in listeners (high volume keywords like “good vibes” cast a wide net)
So the better your song's production is, the better results you can expect.
They also run ads, similar to Boost Collective's Direct To Song approach.
Where Indie Music Academy teaches you how to fish, Boost gives you fish directly.
Indie Music Academy gives artists solid tools for long-term visibility, especially for those with a DIY mindset.
It’s a great option if you’re learning as you grow!
#14. RAPVILLE (RAPVILLE UK)
Rapville is a UK-based platform designed to help independent and emerging artists submit their music to internet radio stations.
Artists purchase credits—starting around US $12 for 10 credits (equivalent to 5 radio submissions).
Rapville also has larger bundles like 50 credits for $45 or 500 credits for $350.
They're offering greater savings at higher volumes.
After submitting a track, artists can choose radio stations based on genre, region, or size.
If a station doesn’t respond within 7 days, credits are automatically refunded.
Having Rapville AND Boost both will create a more balanced and scalable audience-building strategy.
Rapville’s network includes over 60 partnered radio stations with a total listener reach of more than 2 million.
Stations receive a small fee for reviewing submissions and an additional amount if they accept the track.
That's a great incentive for active placements!
#15. BURSTIMO
Burstimo is a UK-based company with a strong focus on press and PR.
If you're looking purely for streams, other firms may be more effective.
However, they’ve worked with MANY artists and specialize in media outreach.
Still, they deserve a mention for their impactful PR work in music.
They’re selective about who they work with, so beginners might not be the best fit.
Their site doesn’t let you directly buy campaigns, as they are more selective.
They’re a boutique firm, selective with clients, and their invite-only campaign model reflects a white-glove approach.
In contrast, Boost Collective delivers stream-first, visibility-second.
Together, they hit different layers of artist growth.
Burstimo excels in high-impact press and PR, positioning artists in front of media outlets rather than playlists.
Their strength lies in storytelling and visibility which is great for those building long-term credibility, not just racking up streams.
Their YouTube channel is poppin' too!
#16. BRAND MAN NETWORK
Brandman Network was founded by Brand Man Sean, a well-known expert in indie music. His philosophy is that you don’t need labels to succeed—thus giving artists the tools to thrive as an indie.
The Brandman Setwork helps with both promotion and the business side (registering your music and building entrepreneurial skills).
While they’re not as promotion-heavy as others on this list, they have a strong rep.
While their strength lies more in artist development than hands-on campaign delivery, their industry credibility is rock solid.
Boost Collective complements this vision with execution at scale, bridging the gap between advertising and high-level promotion.
So Brand Man Network teaches you how to own the game...
And Boost steps in when you're ready to scale!
#17. MUSIC GATEWAY
Music Gateway is one of the few companies that actually specializes in sync licensing, which gives it a big edge if you’re looking beyond just Spotify and want to get into film, TV, games, or commercial placements.
They’re a distribution-first platform but also offer artist services:
- Playlist promotion
- PR press
- Radio campaigns
You’ll have to apply to work with them.
They don’t accept everyone, which keeps the quality high but might limit access if you’re just starting out.
It's a serious platform for serious artists (especially those thinking beyond streaming).
That said, it may make it less accessible for beginners.
They do a lot of the sophisticated music business stuff that most artists overlook, like sync and licensing.
Boost Collective, meanwhile, trades complexity for promo speed.
Music Gateway offers full-stack packages and even helps with music publishing!
This is a great home base if you want everything in one place.
Absolutely deserves a spot on the list!
#18. PITCH PLAYLISTS
PitchPlaylists is a free Spotify playlist submission platform that connects artists directly with independent curators. Artists can use weekly credits to submit tracks.
Each Monday, users receive 20 free credits which can be used to pitch songs to curators.
Artists can pitch to playlists that fit their genre or target audience.
The submission process is straightforward:
- Select playlists
- Send in your track
- Curators either accept or decline.
Accepted tracks are added automatically!
The dashboard tracks the status of each submission so there’s no guesswork about whether your music was reviewed.
Services like Boost Collective, however, combine curation with hands-on campaign management.
Pitch Playlists emphasizes curator verification to reduce spam and help maintain playlist quality.
While its playlist network is smaller compared to larger marketplaces, the focus on transparency is elite.
Very solid option!
#19. PLANETARY GROUP
Planetary Group does a mix of music promotion, radio campaigns, and events. They’re more of a legacy company—think traditional media and industry roots rather than viral TikTok mastery.
They’ve worked with established names and offer services like radio play and publicity.
If you're looking for Gen Z-style digital virality, they might not be the best fit.
But for a more traditional, professional touch, they’re a solid choice.
Planetary Group brings that old-school industry finesse, while agencies like Boost Collective are built for digital-first artists.
Both get results AND they complement each other well.
#20. SPACELOUD
SpaceLoud specializes in influencer marketing—especially in the EDM space. Many big EDM influencers are on their platform, making them ideal for that genre.
They offer different budget tiers, a data-driven approach, and a dashboard to track campaigns.
You’ll need to create an account to get started, but if you want influencer exposure, SpaceLoud is worth checking out.
SpaceLoud delivers on transparency and genre-specific reach.
Boost Collective adds to influencer marketing with its full-scale campaign execution.
SpaceLoud is laser-focused on influencer marketing, with a heavy presence in the EDM scene.
If that’s you, then you know where to go!
#21. PLAYLIST IQ
Playlist IQ is a unique tool created by Omari MC under his recordlabel.ai domain. It’s essentially a mix of artist tools like MusicStax, PlaylistSupply, and others— in one place.
To access it, you’ll need to create an account, which means providing some data upfront.
The tool is fully run by Omari himself, integrating various tech features for playlist research and tracking.
Playlist IQ stands out as a DIY playlisting toolkit.
It’s ideal for artists who want to research playlists, analyze curator behavior, and track data themselves without relying on an agency.
Boost Collective, by comparison, takes these backend insights and executes them at scale.
Playlist IQ is a powerful tool if you want to do it yourself.
I respect Omari's approach - giving artists tools they can rely on!
#22. MOONSTRIVE
Moonstrive specializes in SEO playlists. They also offer YouTube SEO services, which are more complex but potentially powerful for discoverability.
These SEO playlists tend to be more general, so they’re not hyper-targeted, but they can still help with exposure.
They also offer YouTube playlist SEO video support, which is a tougher niche to crack but can MASSIVELY boost visibility if done right.
Boost Collective, by contrast, focuses on high-impact, algorithm-driven exposure.
Moonstrive mainly helps you get found through search.
Both serve visibility, and it comes down to the fan to decide which they like!
Good agency for sure.
It's a solid option for artists looking to build long-term visibility through SEO.
#23. DAIMOON
Daimoon offers customizable music promotion with their campaign builder, you can set how much you want to invest. They bring over 30 years of music industry experience and have worked with more than 10,000 artists.
Their services cover Spotify, YouTube, SoundCloud, and more.
It’s ideal if you want a tailored campaign with real strategic input.
Boost Collective shares that same spirit of customization, but enhances it with backend infrastructure.
Daimoon is perfect when you want to carefully craft a rollout!
Whether you’re promoting on Spotify, YouTube, or SoundCloud...
They offer strategic support ideal for artists who want control and precision over every part of their rollout.
They focus on larger, more intentional campaigns for artists who care about precise execution.
We love Daimoon - especially their site UI!
#24. MUSICVERTISING
Musicvertising promotes artists on SoundCloud, Spotify, and blogs. They also offer design work, lyric videos and visualizer production. If you want a one-stop shop for promo, content, and creative visuals, they’re a solid choice.
They’re generalists: offering a wide variety of services rather than specializing in one thing.
Their site is user-friendly and reflects a personalized approach, which sets them apart.
Boost Collective, on the other hand, narrows that scope for greater impact: doubling down on streaming growth.
Musicvertising is ideal for artists needing a creative facelift along with some reach.
They lean into being generalists, which makes them a great option for full package artists.
Get those damn visuals, man!
#25. ONE SUBMIT
One Submit is a submission platform that lets you pitch your music to a range of external curators, blogs, radio stations, Spotify playlists, TikTok influencers, and YouTube channels.
They’ve got access to around 2,000 playlists, which isn’t the largest number out there, but it’s still a solid and usable network.
What makes them stand out is their inclusion of YouTube channels, something most submission platforms ignore!
One Submit gives you the network—Boost gives you the campaign.
Bonus: you also get the ability to receive written feedback from curators if they choose to respond.
The approval rate is around 40–50%, depending on the genre and submission quality, which isn’t CHEAP-
But reflects the cost of human-reviewed curation.
They’ve built a clean platform with a creator-side dashboard, meaning curators can apply to be part of the system.
That dual-sided approach helps ensure a constant flow of opportunity!
They’re not elite specialists in any one category, but their all-in-one structure is useful AF.
#26. MUSOSOUP
MusoSoup is a budget-friendly submission platform. It operates on a pay-after-approval model, meaning artists only pay curators if their music is accepted. Less risk than traditional platforms.
They have over 30,000 curators, making it a solid mid-sized network.
Some curators are more active or useful than others, but overall it offers a great entry point for new or budget-conscious artists.
One major perk is their support for pre-release campaigns!
Up to 90 days in advance, helping artists build buzz before a drop, not just after.
MusoSoup gives artists a safe, affordable entry point, and Boost Collective delivers end-to-end execution with speed and scale.
MusoSoup is great for dipping your toes into promotion with a protected wallet.
It also includes feedback, playlist pitching, and blog features all under one roof.
There’s nothing to hate here.
It’s well-priced, curated, and built with artist protection in mind.
Definitely deserves a place on this list!
#27. SPIN PROMO
Spin Promo is a campaign-based platform that combines Spotify playlist promotion with Spotify ad placement. They focus on growing your fanbase using a mix of organic and paid channels.
They're known for being compliant with Spotify’s terms, which is IMPORTANT if you care about long-term growth without risking takedowns.
Spin Promo is great for clean, compliant growth.
Spin Promo doesn’t require access to your Spotify for Artists, which gives you a bit more privacy.
They’re fairly priced, and campaigns are structured based on results—not just reach.
If you're looking for something that's both scalable and flexible, especially for Spotify ads, Spin Promo is a solid option.
#28. PLAYLIST-PROMOTION.COM
Playlist-Promotion has been around for over a decade and offers a more traditional, hands-on playlisting service. They work with around 1,000 curators and 30,000 playlists.
Not the biggest network, but they’ve built up long-term relationships, which makes it a reliable option.
One of the standout features is their live phone support—very rare in this space.
That kind of accessibility is helpful if you want to talk to a real human about your campaign.
Playlist-Promotion and Boost Collective’s Live Support are really the only times you see this level of communication.
Playlist-Promotion’s team is small, but highly dedicated, and their case studies show some solid wins!
Overall, it’s a small but passionate team with decent organic reach.
This is ideal for artists who value customer service and hands-on campaign support.
#29. SUBMITLINK
SubmitLink feels like a more advanced version of SubmitHub—backed by real artist tools, analytics, and tech. They work with 300+ active curators.
They claim a 21% approval rate, which is honestly impressive.
That means roughly 1 in 5 submissions actually get added.
This is huge when you consider the numbers most other submission platforms pull in.
They’re very data-driven and offer both free and premium submission options.
Free users can submit once per day, while premium users can pay $25 per playlist.
They also run case studies (one showing 1.3M streams from a single playlist), which shows they understand how to create long-term value from placements.
Boost Collective has got 1.6M streams from a single playlist as well for Matt Corman.
So we know how much dedication it takes! Hats off to Submitlink.
Their model is very similar to Boost Collective, and you can really feel the similarity.
SubmitLink even allows you to analyze your song before selecting playlists, so you’re not just spraying and praying.
One of the only downsides?
You’ll have to wait for curators to respond!
Which can be a bit slow, but that’s the tradeoff for manual curation.
One of the more impressive platforms, off on results alone!
#30. TRACK TO THE MAX
Tracks to the Max is a Dutch company focused on helping artists get their music heard as widely as possible. They offer Spotify playlisting and YouTube growth services.
And while their branding isn’t flashy, their website is clear, easy to navigate, and explains exactly what they offer.
They’ve had over 15,000 customers, which suggests experience, and their model is more boutique.
You're likely to get more personal attention compared to mass-market services.
They don’t believe in one-size-fits-all campaigns and instead focus on tailoring each promotion to fit the artist.
If you’re in the European scene or an indie artist looking for reliable playlisting with a real support team...
They’re really worth checking out!
#31. PLAYLIST SUPPLY
Playlist Supply is not a promotion agency—it’s a data tool for DIY artists, managers, and playlisting pros. It doesn’t run your campaigns for you, but it gives you the tools to run them yourself.
You get access to playlist contact data, curation patterns, and advanced filters to find playlists that match your niche.
If you know how to pitch or want to learn, this is one of the most powerful tools to build your own playlist network.
You can vet curators, check playlist activity, and sort by genre, name, or engagement.
It’s basically your own internal A&R research tool.
Boost Collective, in contrast, takes all that data and turns it into execution. No need to filter playlists or chase curators.
Playlist Supply gives you the insights you need to DIY.
It’s not for beginners who want done-for-you services.
But if you’re advanced or working with a team, it’s one of the smartest platforms to add to your toolkit.
Super data-driven and respected by artists who take playlist marketing seriously.
#32. STARLIGHT PR
Starlight PR is a high-end PR company that also offers Spotify promotion, influencer campaigns, SEO, and advertising services. They’ve got consultants you can call, which is rare in this space, and offer tiered packages.
Their packages include a 3-week PR package and even label-level options that go up to $64,000.
(There are companies like GrowMyLabel that offer such services as well!)
The prices are not for the faint of heart...
That said, Starlight PR does offer smaller packages starting around $1K.
If you’re an indie artist with a decent budget, you can still get access.
Starlight PR isn’t about algorithmic momentum.
It’s about media credibility, perception, and long-term artist positioning.
They’re ideal for acts who already have some traction and are now looking to secure their press narrative and brand authority.
Boost Collective, on the other hand, is built for artists who want results now via playlist placements.
You’ll have to go through a consultation and be approved - so apply!
#33. GREASE RELEASE
Grease Release is a music marketing company and submission platform where artists can submit their music through a $17 service. The in-house A&R team then forwards the track to curators.
If the track fits, curators may add it to playlists or channels.
If not, artists receive detailed, professional feedback—guaranteed within 7 days.
Their in-house A&R team distributes each submission to 80–90% of their curator network.
Compared to more full-service approaches like Boost Collective, Grease Release focuses on submission-based outreach rather than deep campaign strategy.
This means artists handle most of the long-term growth planning themselves.
Grease Release offers a budget-friendly, scalable entry-level promotion service!
While there’s no promise of playlist placement... The model provides independent artists with a low-cost entry.
It's a great way to gain traction and valuable feedback.
#34. INDIEMONO
Indiemono is an independent Spotify playlist curator project that helps indie artists reach new fans, while also offering SEO, design, and Spotify optimization services.
Artists fill out a simple form with their Spotify track link and chosen genre or theme.
There’s no limit on the number of submissions.
If a track isn’t accepted, no feedback is provided—selection is based solely on curatorial fit.
While Indiemono leans heavily into community-driven curation, services like Boost Collective place more emphasis on targeted campaign execution by their team of 15+ experts.
Indiemono is one of the longest-running playlist curation platforms with over a decade of experience.
Alongside curation, they offer playlist management, SEO, cover design, and profile optimization services for artists.
They also run a Patreon tier (a few dollars per month) that grants priority access to additional exposure opportunities!
#35. REVERBNATION
ReverbNation is one of the longest-running music promotion platforms, built for independent artists who want to control every stage of their growth: from getting heard to monetizing.
Instead of just playlisting, ReverbNation combines distribution, fan building, targeted ads, sync opportunities, and analytics under one roof.
Artists can build mailing lists directly inside ReverbNation and send targeted blasts segmented by location or fan engagement level.
It’s a constant feed of promotional leads—but the emphasis is on self-serve tools for the DIY artist.
By contrast, services like Boost Collective tend to pair these opportunities with hands-on campaign management.
Their “Promote It” campaigns let you push your music to Spotify, YouTube, blogs, and music media for as little as ~$3/day.
That is cracked. In a good way.
On top of that, you can apply for sync licensing, blog coverage, festival slots, and playlist features from within your account.
A really cool platform, I must say!
#36. FOR THE LOVE OF BANDS
For The Love Of Bands (FTLOB) is a free-to-submit indie music blog and playlist curator that doubles as a promotion platform for emerging indie, alternative and folk artists.
Established in 2016, FTLOB offers Spotify playlist placement, music reviews, blog interviews, and YouTube compilations.
All of this is aimed at increasing visibility through editorial exposure.
Artists can submit to FTLOB’s Spotify playlists and have a chance to be featured on their blog at no cost through the regular submission queue.
Services like Boost Collective combine this kind of visibility with data-driven campaign execution.
They also offer priority placement for a fee, payable via merch deals, donations, or engagement boosts to skip ahead in the queue.
Paid submissions—such as press releases or interviews (around $10 each) receive a thoughtful editorial review.
Bonus: selected tracks can also be featured on curated YouTube video playlists to broaden reach!
#37. CYBER PR
Cyber PR is a boutique music publicity and artist development firm founded and led by Ariel Hyatt in New York. Their focus is bespoke publicity and marketing campaigns for music brands.
They have a strong emphasis on press, storytelling, and long-term development.
Cyber PR works with artists to pitch to music bloggers, tastemakers, and editorial media through a tailored, story-first approach.
While Cyber PR excels in narrative-driven publicity, services like Boost Collective focus more on large-scale streaming impact and platform algorithm growth.
Ariel Hyatt is a recognized music PR author and consultant, known for his books.
Cyber PR's Publicity Campaigns (4–12 weeks) offer:
- Full-service media outreach
- Including features
- Blog reviews
- Interviews
- Press placements
All of these across outlets tuned to your genre.
Cyber PR also provide strategic, long-term marketing blueprints!
These blueprints cover branding, positioning, and narrative crafting.
On top of that are additional services including website design, social media tune-ups, biography optimization, and fan-brand development to complement PR efforts.
It's designed to guide artists well beyond a single campaign!
#38. DAILY PLAYLISTS
DailyPlaylists is a Spotify playlist submission platform that connects artists with a marketplace of over 3,800 independent curators and 16,000+ active playlists.
Artists can submit music using free Standard credits or opt for Premium credits (which offer placement guarantees).
In their premium model you'll get quicker curator feedback, and access to higher-impact channels.
While DailyPlaylists offers scale and access to a large curator network, services like Boost Collective often pair playlist outreach with targeted marketing algorithmic growth strategies.
The platform provides matching recommendations, dashboard insights, submission tracking, etc.
Since launch, DailyPlaylists has processed over 75 million submissions.
It's a really heavy hitter!
#39. SOUNDPLATE
Soundplate is a London-based music tech company label founded in 2010 by Matt Benn, offering free-to-use tools for artists, including Spotify and Deezer promotion.
They also have smart links, ad campaigns, visual assets, and more.
Soundplate.com allows artists to submit to hundreds of Spotify and Deezer curator playlists at no cost.
Their Soundplate Clicks smart links provide trackable landing pages:
- Song links
- Pre-saves
- Artist bio links
- Integrated analytics
- Ticket sales
While Soundplate shines as a self-service toolkit for DIY promotion, services like Boost Collective build on these capabilities with managed campaigns and growth strategies.
Soundplate platform also supports targeted ad launches for music promotion across multiple channels.
You can get all these tools for either free or low-cost.
#40. BEHIND THE CURTAINS MEDIA
Behind the Curtains Media (BTCM) is a boutique music publicity and promotion firm based in Brooklyn, NY. They operate as a full-service music marketing studio.
BTCM offers custom PR campaigns, radio promotion, Spotify marketing, branding strategy, and artist development.
These services are tailored to independent artists and labels.
As a high-touch boutique agency with a small team (~2–10 employees), BTCM offers personalized campaigns.
They leverage their strong NYC industry connections for wider publicity placement.
While BTCM delivers a personalized boutique approach, services like Boost Collective focus on DPS (Spotify/Apple Music).
Check them out for their press specialty!
#41. Q MUSIC PROMOTION
Music Promotions is an online music marketing company launched in 2015, designed to give artists, managers, and labels direct access to industry contacts for playlisting, radio, blogs, and more.
They position themselves as a self-service toolkit for artists who want to manage their own long-term outreach strategy.
They offer curated directories with emails and details for:
- Over 6,000 industry contacts
- Spotify playlist curators
- Music blogs
- Radio stations
- Record labels
- Music venues
- Festivals
- Booking agents
- YouTube playlist managers.
While Q Music Promotions equips artists with the tools and contacts to run their own campaigns, services like Boost Collective combine similar reach with in-house execution.
Their campaign services span:
- Playlist promotion
- Spotify ad campaigns
- YouTube ads
- TikTok ads
- Pre-save campaigns
Q Music Promotions also provides marketing manuals and customizable templates to help artists pitch themselves effectively.
They are aiming to build long-term curator and press relationships.
Not just one-off placements.
#42. SHOW.CO
Show.co is a marketing platform, acquired by CD Baby, that enables artists to launch Spotify pre-save pages, YouTube premieres, banner ads, audio ads, and email capture tools.
It’s available on both free and paid plans, with free access for CD Baby members.
At the core of Show.co’s offering is the Ad Builder, which allows you to turn a Spotify track or YouTube video into an interactive ad.
They give targeting placements on music-focused websites like Billboard, Pitchfork, and Rolling Stone.
While Show.co offers powerful advertising and fan capture tools, and services like Boost Collective do this on a broader stage.
The platform also supports email-for-download incentives, helping artists collect fan contact information.
For a more guided approach, the Managed Ads Program (MAP) pairs artists with experienced campaign strategists.
These strategists assist in designing creative assets, optimizing targeting, and refining messaging.
Dope company!
#43. SONGROCKET
SongRocket is a Spotify playlist pitching platform that enables artists to submit tracks to a vetted network of playlist curators and influencers.
Campaign budgets start as low as US $3–$6, with artists choosing how many curators to target based on genre selectors and budget scale.
Campaigns typically span 7 to 28 days, with the option to extend.
Once a campaign begins, tracks are pitched to vetted curators (referred to as “music influencers”) to reduce spam.
While SongRocket offers low-entry playlist pitching with curator feedback, services like Boost Collective aim to turn playlist exposure into sustained audience growth via ads.
Curators have up to 7 days to review submissions and provide feedback!
Accepted songs may be added to playlists and tracked on SongRocket’s dashboard.
Feedback is included whether positive or constructive, but playlist placement is not guaranteed.
Hey, a solid company!
#44. MATCHFY
Matchfy.io is a playlist submission platform that connects independent artists with Spotify curators through a recommendation-based system. It offers multiple plans—Free, Artist and Agency.
They provide varying levels of access to verified, unverified, and collaborative playlists.
Playlist matching is based on metadata and genre compatibility, with budget controls and optional VIP upgrades for additional reach.
Matchfy works as a low-cost experiment for emerging artists testing multiple releases.
Pairing Matchfy with a service like Boost Collective can help ensure playlist exposure is supported by targeted marketing.
Artists can submit music via Matchfy’s dashboard, which streamlines the process of finding playlists that fit a track’s style.
From a promotional standpoint, Matchfy positions itself as a scaled playlist pitching tool.
They offer both self-service submissions and paid campaigns.
Double whammy!
#45. TOP MUSIC MARKETING AGENCY (TMMA)
Top Music Marketing Agency (TMMA) is an Italian music marketing firm that provides tailored promotional services for independent artists and labels.
TMMA positions itself as an agency delivering organic Spotify playlist placements within an analytics-backed campaign model.
Top Music Marketing Agency's services include:
- Spotify playlist campaigns
- Social media ads management
- Google ad management
- YouTube promotion
- TikTok/Instagram support
- Radio pitching
- Press outreach.
They excel at blending playlist pitching with advertising and PR, akin to Boost Collective.
TMMA's trial is often branded as “Trigger the Algorithm” campaigns—driven by Ads Studio best practices.
TMMA is for those seeking comprehensive, multi-platform music marketing.
Rockstars!
#46. RISING ARTISTS
Rising Artists operates as both a blog publication and a promotion agency, primarily based in Los Angeles.
The platform manages a blog that features:
- Artist interviews
- Song premieres
- Press packages,
- Spotify ad campaigns
- Podcast pitching
- Curated playlist promotion.
Submissions are free to send initially, with fees only collected once tracks are approved for placement or review—typically within a few days.
Their press placement packages include multiple tiers:
Tier 1 (~$97) features.
Pro music submission ($7) guarantees a review and response within 72 hours.
Then their Spotify playlist submission option ($10) with promised curator feedback within five days.
Rising Artists emphasizes blog-driven editorial exposure and PR-style storytelling.
While Rising Artists offers strong value for press-first campaigns, it’s not primarily a playlisting or algorithm-growth service.
Placement isn’t guaranteed—featured artists are hand-selected and, once approved, pay a flat rate for the write-up and inclusion.
Turnaround is generally within one to two weeks.
Check 'em!
CONCLUSION
After reviewing 47 music promotion companies, one thing became clear — there’s no single “best” service for every artist, only the right fit for the right stage and strategy.
Some firms excel at laser‑focused playlist pitching in niche genres, while others specialize in press coverage or social media virality.
Then a few — like Boost Collective — combine multiple services into a single, scalable system.
What separates the top performers from the rest isn’t just reach, but transparency, adaptability, and respect for artists.
In an industry where hype often overshadows results...
Artists benefit most when they choose partners who can deliver measurable growth while aligning with their creative and business goals.
My aim with this review is to help you cut through the noise and weigh the trade‑offs.
This way you can make a decision that serves your career — not just your next release.
Thanks for reading!
